There are as many as a quarter of a million records in the shop on a good day. It can be hard to choose, which is why there are also why we provide three listening stations where you can sample any of them. We appreciate very much that all of our regular customers put the records back after they listen to them, otherwise we’d have a lot of extra work to do at the end of the day.

Sometimes you get to the listening station, put the album on and realize someone has put the wrong record in the jacket. Sometimes these mismatches create the strangest combinations…

stand by your man

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mas ariba

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PHONE CALL

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Ben Weaver Buffalo LP

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xon the corner

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Can’t get enough? More mismatches here

make out musicYou may have noticed some peculiar little sections stashed around your friendly neighborhood record shop — things like Music from Outer Space, Classical Gasp, and Difficult Listening. Our favorite of all of these is Make-Out Music, which is filled a variety of classic tunes for foolin’ around, from Marvin Gaye’s essential “Lets Get it On” to James Last’s Seduction. It’s our favorite little section in the shop.

Of course, what makes for make-out music is subjective. Chuck Klosterman writes in Fargo Rock City, “I went to high school with a secretly sleazy farm girl who once said it was ‘totally awesome to fuck to Faster Pussycat,’ and since this girl always had a lot of boyfriends, I assumed she knew what she was talking about.” National Public Radio, possibly one of the least sexy things that could possibly come out of your speakers, listed a make-out mix here which inexplicably includes a song from Swordfishtrombones and “Love Stinks” by the J. Geils Band. These, of course, are probably not the best authorities on the subject of getting laid.

Our own make-out mix (what, doesn’t everyone have one?) leans heavily towards sultry seventies tunes like Kellee Patterson’s “I’m Gonna Love You a Little More Baby” and a friend insists you can’t do better than Sade’s Diamond Life. We didn’t really expect there would be anyone up here in the chilly midwest making music like that, but we were wrong. Love in Blue by BAIN is a tight mixture of soft rock, jazz and smooth R&B which is surprisingly sophisticated and well-produced for a debut LP, and superbly suited for romance.

bain love in blue

Its eight tracks are leisurely paced, hardly topping a hundred beats a minute, making this just about the opposite album from the Blind Shake’s Breakfast of Failures, which we posted last week. The standout rhythm is in the breezy “Whereever,” but this track, “The Way,” is the most romantic. Leader Davis Bain and Jayanthi Kyle share vocals here, and alternate the lead on other tracks.

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“The Way”

You can hear the entire album on their website by clicking the link above, by the way. Its a nice reminder that people are still writing original, sincere love songs.

Although Love in Blue leans in the direction of jazz, the solos are kept simple, pushing the focus towards its melodies. It seems like this is a band that might really cook, but would rather simmer just below a rolling boil, especially keyboardist Erik “Afrokeys” Anderson and the tight rhythm section — the result is a sensual tension that hits the sweet spot several times. The whole band sounds electric in “The One” at the middle of the second side, and deftly brings it down from there. We imagine this is one of the tracks that’s going to be really awesome live.

We’ve been surprised how these songs stick with us after a couple listens, making Love in Blue a good album for general listening, not just making out. Still, we recommend you find someone special and give it a try yourself.

BAIN’s record release show for Love in Blue is this Sunday at the Icehouse, along with Ashley Gold and DJ Fourfeet. Details here.

 

 

Telephones are back on here on our corner of East Lake Street! Sorry if you couldn’t reach us yesterday afternoon or this morning!

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“Telephone Line” by Electric Light Orchestra

Ramblin’ Bones

 

Here is the next video in our second season of local artists filmed after hours here at Hymie’s. Click here to see the first video, which features Wolf Council. This song is on Ben Weaver‘s new album I Would Rather Be A Buffalo, which is the first LP we released ourselves. We’re proud to have worked with Ben, who has performed on this stage many times over the years.

The Star Tribune‘s Chris Riemenschneider recently named this one of his favorite songs of the year (along with “My Love” by the Ericksons). Its been more than a year since the first time Ben performed it here at Hymie’s, and in that time he’s sung it on his “It’s All the River” bicycle tour down to New Orleans, as well as in all kinds of venues around the Twin Cities.

These videos are co-sponsored by Pabst Blue Ribbon, filmed by Dan Huiting and Lauren Josephine and mixed by Brian Herb of Mother of All Music. There are seven more videos in this season, so stay tuned!

Tonight at Memory Lanes

Memory Lanes 10-49-03

The Blind Shake may be the busiest band in the Twin Cities, with a track on Amphetamine Reptiles’ revived Dope, Guns and Fucking in the Streets series out this week and two albums slated for release in the spring, including a surf rock album with Rocket From the Crypt’s John Reis. They’ve also got a single out this year on a European label, where they’ll be touring next year. They just returned from an East Coast tour, and oh yeah — they’re releasing this awesome LP tonight at the Hexagon Bar. It’s easily one of our favorite albums of the year.

blind shakeAny new album by the venerable trio is likely to be a favorite of ours, but Breakfast of Failures is a resounding success sure to push this band into larger territory. They’ve never explored their sound as widely in a single record as on this album, which has all the furious urgency of their live sets, but a steadier approach to some of the arrangements, from the bombastic title track to the methodically paced “Dots in the Fog,” where Mike Blaha’s baritone guitar takes on the tone of a baroque keyboard over brother Jim’s mournful-sounding accompaniment. It’s consistently surprising that you’re hearing only a trio, especially during the wild frenzy at the end of “Pollen,” and this tightly-packed track, “Parachute”:

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“Parachute”

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“Dots in the Fog”

Breakfast of Failures finds the Blind Shake bolder than ever before, but we still have no idea what’s got ‘em so riled up. “Youth Carnival Waste” hurls rage at someone who’s “kind are the worst,” we think, but we’re not sure who. We keep getting caught up in the song’s surf-styled drive and missing the lyrics. “Go Lie” seems the angriest of all, with a slower pace which sounds like Wire’s “Lowdown” or a track off Generic Flipper, and the cryptic admonishment “Go lie with your words.”

And we’re not sure if we’re being told to “Grab a parachute and dive,” or “die.” We’ve never been very good at deciphering lyrics around here anyway. Breakfast of Failures is a cathartic joy, an album which feels filled to the brim with manic demons who need to stretch their legs. Dave Roper makes it just about impossible to keep your feet still for twenty frantic minutes, and Mike and Jim Blaha explore just about every extraordinary sound a guitar can make along the way, running the range from rage to, um, rage. We get exhausted just listening to this album.

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“Breakfast of Failures”

The Blind Shake will perform tonight at the Hexagon Bar along with Joust, who are releasing a debut single, and Teenage Moods. 21+, 10pm.

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