It’s been one year and Prince’s estate has already become a multi-million dollar enterprise. In its most recent visit to court the estate blocked the release of Deliverance, and EP that was to be released digitally today. The reason? The estate argued that recording engineer George Ian Boxill violated his agreement “for his personal gain,” although the ‘independent label’ RMA set to release the recordings claimed the majority of its sales would benefit the estate.
Universal and Warner Music Group are in court with one another, and the estate, over ownership of Prince’s released and un-released catalog. The contents of Prince’s so-called vault of unissued music is the subject of legend, and those industry giants know there’s a fortune to be made in mining it.
For our part, we’re happy with the albums that were released, and hope to see all of them remain in print throughout the manic cash-grab. Honestly, the albums he released in his five decade career are a pretty incredible legacy without any embellishment. His records are steadily being reissued, including a series of classic 12″ singles out tomorrow for Record Store Day, but the fate of those post-Warner-era albums is uncertain. His last two albums weren’t even issued as LPs, although pricey European bootlegs with poor sound do exist.
As for his unreleased recordings, its entirely possible he intended to collect them but just as likely he kept them the same way a painter may keep his sketchbooks, that is solely for his own use. And maybe we don’t need to hear everything he chose to keep under lock and key in his studio.
All of this is before we even consider all the tell-all interviews and books, and the obsessive peering into the life of this famously private person. Its heartbreaking to see someone who had so much love being treated so poorly.