Sound 80 founder, Herb Pilhofer is pictured at left on the back of his LP, Olympus One. In addition to showcasing the studio’s capabilities, like the flexi disc which appeared in yesterday’s post, his records had really awesome arrangements and performances from local musicians.
This first album in our continued survey of recordings from the famous studio which was located here in our neighborhood is also an instrumental record, but its a smaller group. Pianist Tom Prin is still playing here in Minnesota but from its exclusion from the discography on his website (here) we suppose this album may be his first.
Two for the Road features Prin’s trio, with singer Penny Perkins joining them for a few tracks. The selections are all standards and the playing in the Oscar Peterson Trio vibe. The album was released on Sound 80’s own label.
If you’re interested in Blood on the Tracks, which includes the most famous recordings from Sound 80, we recommend reading this fantastic book co-authored by Kevin Odegard. A Simple Twist of Fate tells the story of how Dylan came to re-record a number of the songs from his classic 1975 album here in Minneapolis, and also how the performers on those sessions were never credited on the record, which has sold more than two million copies. Kevin was kind enough to give us a copy of the book some time ago, which we later loaned to an employee at Orfield Laboratory and sadly never saw again! We suppose if its going to end up somewhere that’s the appropriate place.
And of course there is this legendary oddity from the Sound 80 story, an album which was all but lost until it was reissued in 2013. Our own Dave wrote a story for City Pages about the reissue of The Lewis Connection, talking to Pierre Lewis about how most copies of the album were accidentally thrown away along with the master tapes (Numero Group’s reissue of the record was taken from Pierre’s last sealed copy). People still joke the band was so broke they couldn’t afford two N’s and that’s why their name is misspelled on the cover.
Collectors prize copies of The Lewis Connection because “Got to be Something There” features the first appearance of Prince on LP, although the highlight of the track is his future sideman Sonny Thompson, who wrote the song and sang lead. It was recorded at Sound 80 by an earlier version of the band, the Family (not to be confused with Prince’s later side project of the same name). The balance of the album was produced at other studios, like Chris Moon’s MoonSound down on 57th and Stevens — the songs written and arranged by Andre and Pierre Lewis are exceptional modern Minnesota soul, fortunately saved from obscurity by the reissue.
So many different kinds of music were being recorded inside the Sound 80 studio — for instance, the album often citing for sparking the Twin Cities punk rock scene, The Suicide Commandos Make A Record, was produced in the studio in 1977. Although their original run was brief, the Suicide Commandos inspired
It’s original release on Blank Records was hardly a big seller, but the album has since been reissued on CD by Mercury Records. The Suicide Commandos have reunited in recent years, performing benefits shows, busking outside the 2008 Republican National Convention in St. Paul, and releasing a 10″ split record with the Hold Steady produced by Minnesota Public Radio’s The Current. The band has also adopted a 1.5 mile stretch of highway in Minnetonka.
We’ll leave it to the more serious archivists to figure out what was the last recording made in the Sound 80 studio before the building’s dormancy and eventual resurrection as a renowned research facility. To close out our collection of interesting recordings produced there we have chosen the sometimes maligned second album by Willie and the Bees, Out of the Woods. Hymie’s may have contributed to the under-appreciation of this album, having once found at Ax-Man Surplus a big box of unopened copies and slowly selling them over several years for five bucks a piece. Sure, Out of the Woods is not as good as Honey from the Bee, but its hardly fair to compare any album to the Bee’s debut.
We have something really funny planned for tomorrow’s post here at Hymie’s central, but we’re sure to re-visit the recordings from Sound 80 in the future. These past two collections of interesting records are only a small sampling, and we’ll keep recording a track and taking a picture of others as they turn up here in the record shop. As always, thanks for reading!