The 1950 adaptation of Dr. Seuss’ story “Gerald McBoing-Boing” has been entered into the National Film Registry and preserved by the Library of Congress. Animators regard it with reverence as it is one of the first short films to successfully experiment with limited animation, which at the time was more of an aesthetic decision than one driven by financial considerations. Limited animation, which uses as few in-betweens or transitional cells as possible. This became the basis of inexpensively-produced “Saturday morning cartoons” like the ones these record shop owners grew up with (Fat Albert, The Smurfs, etc). Limited animation does not necessarily preclude quality, however, as Gerald McBoing-Boing demonstrated in 1950. At the time this short film was a distinct break from the realism of the Walt Disney features.
Having enjoyed this fun short film, you’re surely wondering why we posted it — it’s because the cartoon was inspired by a record!
Gerald McLoy (ie Gerald McBoing-Boing) first appeared not in one of the good doctor’s forty-six delightful books, but on a record produced the year before by Capitol. Radio personality Harold Peary, known then to listeners as Throckmorton P. Gildersleeve from Fibber McGee and Molly, narrated the story.
The remarkably versatile bandleader Billy May provided the music (his humorous collaborations and swinging arrangements know no bounds: we have previously posted music he produced for comic Stan Freberg, here and here, and singer Peggy Lee, here).
The story was adapted for film by P.D. Eastman (author of Are You My Mother? and the epic Go, Dog, Go! among many other essential reads) and Bill Scott (who we know best as Bullwinkle J. Moose). This little 78rpm record is at the nexus of so much talent!