Minneapolis is known as a city of bicycling enthusiasts. We certainly love riding around this neighborhood ourselves — in fact, we have a sidecar bike on which our shop dog, Irene, often rides to work.
The hype sticker on Dick Feller’s 1972 debut album may be guilty of a little hyperbole — “Biff the Purple Bear” was hardly a hit single, although it nearly hit Billboard’s ‘hot one hundred,’ peaking at #101. Ranking higher on the country charts hardly counts as a hit.
What is remarkable about “Biff the Purple Bear” is that Feller deserves some credit for creating the original idea for the Toy Story franchise.
We have featured another Dick Feller record on the Hymies blog back here.
Irene had her annual visit to the vet this past week, and she walked away with a clean bill of health. Also a pretty small bill compared to any time either of us has been to the doctor. It’s funny how much easier Irene’s annual visits are compared to our own — she is hardly left waiting at all, and when seeing her doctor not rushed along in the least. Even after every last concern has been covered, her doctor follows up and checks on her after the appointment.
Irene is getting better health care than either of us.
Jim Henson was one of the most universally beloved celebrities in America at the time of his sudden and tragic death in 1990, but he was hardly an overnight success. In fact, Henson’s slow rise to fame is an inspiring tale of perseverance and passion. It was a few years after the release of this single that Henson, as Rowlf the Dog, became a regular character on The Jimmy Dean Show – You can watch him clown around about one minute into this episode. He even makes a joke about his host having “a new hit record.” Henson himself, performing as Ernie, hit #16 on Billboard’s Hot 100 chart in 1970 with the single “Rubber Duckie.” This is one of several times Sesame Street produced an unexpected hit record.
One of Henson’s magical legacies is the way he, along with Sesame Street‘s musical directors Jeffrey Moss and Joe Raposo, revived the music of Vaudeville and early American theater. This was carried on when The Muppet Show debuted in the fall of 1976, and throughout the franchise’s ongoing films. This included performing early 20th century hits like “The Bird in Nellie’s Hat” and “The Varsity Drag” as well original songs like Henson’s incredible duet with himself in “I Hope That Something Better Comes Along.”
All of this was still in his future when Henson released “The Countryside” in 1960 with its ridiculous credit “Orchestra conducted by Frank Sinatra.” Of course, years later Ol’ Blue Eyes did record Henson’s signature tune, “Bein’ Green,” which was written by their mutual friend Joe Raposo for Sesame Strret with the simple instruction, “We need a song for the frog.”
With all due respect to Kwick, we don’t think this song was the best way to get your video aired on MTV. It’s like not being invited to a party, and going to the house where the party is and standing in the yard and saying ‘hi’ to everyone.
If Kwick ever made a video, it may be lost to the ages until someone transfers the videocassette in their basement to MPEG and uploads it to Youtube. This reminds us that we know a guy who used to record 120 Minutes… we wonder where those tapes are now. Presumably, we could find all the videos online today, anyway.
“MTV” is the opening track, and the rest of Foreplay, Kwick’s final album, is pretty solid, somewhat derivative 80s funk (we always liked the phrase ‘modern soul boogie’). “I’ve Been Watching You (Watching Me)” was our favorite cut on the album, and the one we’d want to see as a video.
Crate diggers don’t come across this one very often, which suggests maybe Capitol Records didn’t put much behind it. Maybe that’s why they never got to be on MTV.
From the liner notes…
“FOREPLAY – Webster’s Dictionary says: ‘Sexual stimulation that normally tends to lead to sexual intercourse.'”