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Irene had her annual visit to the vet this past week, and she walked away with a clean bill of health. Also a pretty small bill compared to any time either of us has been to the doctor. It’s funny how much easier Irene’s annual visits are compared to our own — she is hardly left waiting at all, and when seeing her doctor not rushed along in the least. Even after every last concern has been covered, her doctor follows up and checks on her after the appointment.
Irene is getting better health care than either of us.
Here is a fun 45 for a lovely summer day!
Jim Henson was one of the most universally beloved celebrities in America at the time of his sudden and tragic death in 1990, but he was hardly an overnight success. In fact, Henson’s slow rise to fame is an inspiring tale of perseverance and passion. It was a few years after the release of this single that Henson, as Rowlf the Dog, became a regular character on The Jimmy Dean Show – You can watch him clown around about one minute into this episode. He even makes a joke about his host having “a new hit record.” Henson himself, performing as Ernie, hit #16 on Billboard’s Hot 100 chart in 1970 with the single “Rubber Duckie.” This is one of several times Sesame Street produced an unexpected hit record.
One of Henson’s magical legacies is the way he, along with Sesame Street‘s musical directors Jeffrey Moss and Joe Raposo, revived the music of Vaudeville and early American theater. This was carried on when The Muppet Show debuted in the fall of 1976, and throughout the franchise’s ongoing films. This included performing early 20th century hits like “The Bird in Nellie’s Hat” and “The Varsity Drag” as well original songs like Henson’s incredible duet with himself in “I Hope That Something Better Comes Along.”
All of this was still in his future when Henson released “The Countryside” in 1960 with its ridiculous credit “Orchestra conducted by Frank Sinatra.” Of course, years later Ol’ Blue Eyes did record Henson’s signature tune, “Bein’ Green,” which was written by their mutual friend Joe Raposo for Sesame Strret with the simple instruction, “We need a song for the frog.”
With all due respect to Kwick, we don’t think this song was the best way to get your video aired on MTV. It’s like not being invited to a party, and going to the house where the party is and standing in the yard and saying ‘hi’ to everyone.
If Kwick ever made a video, it may be lost to the ages until someone transfers the videocassette in their basement to MPEG and uploads it to Youtube. This reminds us that we know a guy who used to record 120 Minutes… we wonder where those tapes are now. Presumably, we could find all the videos online today, anyway.
“MTV” is the opening track, and the rest of Foreplay, Kwick’s final album, is pretty solid, somewhat derivative 80s funk (we always liked the phrase ‘modern soul boogie’). “I’ve Been Watching You (Watching Me)” was our favorite cut on the album, and the one we’d want to see as a video.
Crate diggers don’t come across this one very often, which suggests maybe Capitol Records didn’t put much behind it. Maybe that’s why they never got to be on MTV.
From the liner notes…
“FOREPLAY – Webster’s Dictionary says: ‘Sexual stimulation that normally tends to lead to sexual intercourse.'”
If anyone else could say we don’t know how it feels to be them, it might be Hank Williams Jr. For so much of his life, he lived in his father’s shadow, even though he was a highly talented multi-instrumentalist.
Hank Jr. took lessons from famous musicians as varied as Fats Domino and Earl Scruggs, and has played on his many albums at least a half dozen different instruments: guitar, banjo, dobro, piano, drums, etc.
Last week we bought a monstrous collection of country records which leaned heavily on the seventies ‘outlaw’ scene. Naturally, there were a lot of albums by Johnny Cash, Waylon Jennings, and those great Bakersfield bands of Buck Owens and Merle Haggard. There were also more of Hank Jr.’s albums than we’ve ever seen at once. Whole boxes of them. Who knew there were so many?!
His 1975 album Hank Williams Jr. and Friends is a country-rock classic. It’s last song, “Living Proof,” is one of the most heartbreaking country tunes we’ve ever heard.